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Posts by Heather Van Mouwerik

Fixity in an Ephemeral Meeting–Meeting Recap from April 30th

Heather Van Mouwerik

Posted on May 11, 2013

Please pardon the obtuseness of this post’s title, but much of the discussion at our last meeting  was about physical as well as temporal fixity of texts. When is a book a book? When did people in the past begin considering it a book? Is a book permanent or is it mutable? Among many other questions with which book historians struggle daily, these quests for rootedness fascinate me! In the English Library for the meeting–coming, going, eating, writing, reporting, listening–we personified the more fleeting, ephemeral aspects of book history. Some of us had accessed the materials on iPads, some computers, and some as printouts. In discussing the fixity of the book, we were in flux. Perhaps it is just that time of year, midterm spring quarter, but…

Categories: Meetings

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Global Archivalities: A Conceptual Workshop

Heather Van Mouwerik

Posted on April 30, 2013

The archive, as both an organizer of knowledge and a historical place, is a problematic category–one which this inaugural and international workshop will address. In Global Archivalities we will be discussing comparative approaches to record-keeping in pre-modern societies, including materials and methodologies used by these past ‘archives’ as well as modern-day terminologies and frameworks for understanding these phenomena. Please come discuss these issues with us! General Information When? Tuesday, May 7th at 9:00 AM-11:30AM Where? History Department Library, HMNSS 1304, UCR To read the pre-circulated papers,  if you have any questions, or if you want guest access to the Adobe Connect site, please contact Heather at hvanm001@ucr.edu. Refreshments will be provided. Schedule 9:00 AM–Welcome and Opening Statement: Randolph Head, UC Riverside 9:10 AM–Introduction of Presenter Sites and their Projects…

Categories: Events

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Japanese Prints: Hokusai, Exhibit Review

Heather Van Mouwerik

Posted on April 25, 2013

Perhaps I was spoiled in my youth, growing up near the Seattle Asian Art Museum, or maybe it was my long-standing fascination with Hokusai’s work, but LACMA’s Japanese Prints: Hokusai exhibit was underwhelming.  This did not stem from the number of pieces—seeing even a single Hokusai print is impressive, let alone the Waterfall series which is rare—or its location in a cramped, narrow hallway in the Pavilion for Japanese Art. Instead my disappointment came from the exhibit’s lack of structural unity, historical context, and understanding of print. Hokusai was most likely born in October, 1760 and died in May, 1849. During his life he revolutionized—both methodologically and aesthetically—Japanese woodblock print. Starting his career as an apprentice to Shunsho, he crafted images traditional to Japanese…

Categories: Uncategorized

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